Norman the Slug with the Silly Shell

Author and illustrator: Sue Hendra

Publisher: Simon and Schuster, 2011

Norman the Slug with the Silly Shell makes an ideal one-off read-aloud to a preschool or reception class. It's laugh-out-loud funny on the first read, not quite so funny on subsequent reads as the 'big reveal' at the end is then anticipated. It's bright, bold graphics can be seen clearly from afar; a bit garish up close mind, especially as the icing and sprinkles on the doughnut motif is repeated throughout. 

I suppose any book that makes me sympathise with a slug is worth its salt (pun intended!), because as a gardener I can't bare these little critters. The concept of a slug being shunned by a group of snails for not having a shell, is amusing. Bullying, and being able to get back at the bullies is a theme here, as is expressing yourself, and doing things your own way, positive life affirming messages for little ones.  

I also like the juxtaposition that 'slug' in this book is not drab, dull, and seeking a dank dark place to live (as in reality) but is fun, enthusiastic, seeking thrill and colour- again, how endearing, and why earth am I on the side of the slug?!  The distinction between slug and snail isn't always quite so clear for little ones though, so a lot of the humour in this book goes over younger children's heads (though kids do tend to laugh when adults laugh, so the book still works). The adult aligned humour continues when Norman tries out different shells; a tennis ball, alarm clock, maggoty apple and then...a doughnut, all ending in eager and funny calamity.    

'Fitting in' is harder than Norman finds, as while the snails now except he is a snail, a bird then targets Norman's fantastic edible looking shell, and carries Norman and this shell away. Norman then relies on his old snail ways to rid himself of the bird slipping free of his shell by squirting out his slug slime. The message here is more 'be yourself', 'embrace who you', so again, thematically, some lovely ideas to bring to preschoolers.  Moments of peril, with Norman in the birds mouth and then falling through the sky, are quite gripping for the target 3-5 year old age range here. Again, the big reveal, of Norman wishing he now had wings (this is comedy genius!), and this flakiness in mood is of course very reminiscent of toddlers themselves, so there's humour galore in this short picture book.  

The illustrations let the book down a little, feeling a bit under-invested. Edie (3) is bothered by the re-occurrence of the red bird that she sees has previously had Norman in its beak, being back and close to Norman at the end. Little inconsequential illustrations like this make big difference to very inquisitive, processing children, so young child reception of this book was quite mixed in our house. 

All in all though, a fun read perfect for a big audience. 

If you like this, you might also like:   Meg's Castle by Helen Nicoll and Jan Pienkowski

Terrific Trains: Amazing Machines

Author: Tony Mitton
Illustrator: Ant Parker
Publisher: Macmillan's Children's Books, 1998, edition featured, 2013

Terrific Trains is part of the 12 book Amazing Machines collection, a series of books aimed at pre-schoolers on the theme of transport. Each book features a different mode of travel headed with a catchy adjective, 'Roaring Rockets', 'Tough Trucks', 'Dazzling Diggers' for example. The series is bright, energetic, and ideal for 18 month olds onwards. I've found the whole series very toddler friendly in fact, with these fast paced, rhythmic, short picture books. 
Terrific Trains in particular, has been a mainstay of toddlerdom (or should that be 'toddler-doom'?) in our house. Alf and Bert have been train-mad, diggers have followed a close second, for years. This title was a favourite for Bert, George is now showing interest. The secret to the success of this book, and the others in this series, are the onomatopoeic rhyming stanza, and attention to the sounds the vehicles, modes of transport, make. Toddlers love this, and just want to join in. 

The illustrations are fun and colourful, and the same cartoon animal characters are used across the books (no names or personalisation given to the characters so no over complicating the story unnecessarily). I also love that the characters are always smiling blindly as they go about their journeys, this supports the friendlessness of the books, and again, is very inviting to young children.  

The books are also a good hybrid between non- fiction and fiction, as they tell the story of a journey made (as a fictional account would) but they offer many factual details about how the vehicle, or mode of transport, moves. The pictogram glossary at the back of each book in the series, really helps to build reading skills, but namely reading comprehension, and the idea of looking to an index for information.These books a very gentle way of introducing very young children to non-fiction. ;

Meg's Castle

Author: Helen Nicoll
Illustrator: Jan Pienkowski
Publisher: William Heinemann Ltd 1975, Puffin Books 1979, edition featured 2009

I think this is a 'Marmite' series, you either love these bizarre, nonsensical, bold, bright books of the 1970s Nicoll and Pienkowski Partnership, or they furrow your brow in a bad way. I love watching adults who aren't familiar with the series, try to read these to children for the first time. The series  borders on the psychedelic, with dystopic plots and a strange sort of coherence. They leave you filling puzzled and yet fulfilled. 

Cartoon witch Meg lives (in a house) with Mog the black cat and Owl, the white bird.
Together they go on an adventure or celebrate an event, usually involving making spells that go slightly wrong, always ending peacefully with the characters waving their goodbyes. The books are made up of exuberant colourful illustrations, pop-art style, and incredibly short stanza, one- six words per page normally.  There's a a lot of onomatopoeia used, mixtures of font sizes and styles, and grabbing impact words such as ' victory!' ( huge font). In Meg's castle there are interesting cultural references to the Green knight legend and St George, with snippets of rhyme and proverb thrown in for good measure, 'I'm the king of the castle.' Meg, Mog and Owl books are action-filled as well as eye catching, and are great fun to read aloud. Here's my favourite high-drama page of this title: 

The Meg, Mog and Owl series are perfect share-with stories for the 18month- 3 year old old range because these books are loud, fun and the snippets of speech, rhyme, spell are very catchy and memorable, 'call me George'! This series also comes into its own again for 3-5 year olds, with such simple sentences, making them suitable 'first readers.' I'm also finding the series quite useful to inpart the principles of comic- book writing on my 7 year old, encouraging him to add speech bubbles and sound tags to his pictures, as those techniques are abundant and effective here. Now as this series is over forty years old, it is understandable that it's somewhat of an institution, and as such, the series has a huge array of resources to support reading available online. Here's a selection: Pinterest Meg and Mog resources, Meg and Mog WordSearch