The Tickle Book

The Tickle Book with pop up surprises

Author: Ian Whybrow 
Illustrator: Axel Scheffler

This book, together with The Bedtime Bear by the same author and illustrating duo, are by far the most loved and well read books in my house. So well loved in fact, I've bought them three times over (each!) and since the summer days have now befallen, the kids being at home ( sheltering from the summer rain) so much more, I find myself putting in my order for a fourth copy of The Tickle Book tonight...and really, they're pretty robust for 'pop up' books! Nonetheless, the absolute excitement and joy a good old fashioned lift-the-flaps, pull -the- tab, pop-up book seems to bring (any age child, in fact the older they get, the more excited by the pop-up aspect they seem to be), dumbfounds me. The pure suspense of the pull, for my seven year old, has him in squeals of delight every time. 

I can't recommend these two books more highly, they're such a pleasure. Bright, loads of fun, very quirky ( why is a lizard in a blizzard? Why is there a rabbit on a motorbike?) , ah the countless questions I have for the author...situational madness ' a mouse motel' and a ' lynx carrying drinks' to a picnic, brings humour with every read. And yet as each book follows a jouney to tickling bedtimes, the menagerie of characters and places all seem to make bizarre sense, fuelling the excitement further. The rhymes are very catchy, with a staccato beat and optimal use of rhetoric. There's also a play on phonics that's a preamble to the now very popular Kes Gray 'Oi' books ( e.g. Oi Frog!) , so an 'owl in a towel' and a 'snake' with a 'cake'. The word choice of the author speaks to toddlers beautifully, plenty of 'hello' and farmyard / animal noises. These are the type of silly rhyme books kids really remember, with invitations and instructions to tickle, close eyes, say goodnight. As such, fantastic books for helping build attachments, for bonding, perfect for adopters. My older children currently love reading these to the younger ones, squeals and giggles of laughter amount, hence the wear and tear on the tabs. I also like that there's lots of different lift flap, pull tabs and card wheel arrangements in the book, it really does make for a 'pop up book  full of surprises.' Big thumbs up from me, but buy three copies at least as you'll get through them, and sadly these books are no longer on constant sale in the big supermarkets, like a few years ago. 

Betty goes bananas in her pyjamas

Author and Illustrator: Steve Antony
Publisher: Oxford University Press, 2015

Voices, is what we say about this book, really fun to read-out-aloud voices.  
Toddler ape Betty is resistant to bedtime, and, like many an ape before her, she borders on the edge of extreme meltdown distracting herself and procrastinating at the same time with any toy that comes to hand. And my my is she active, wanting to play instruments, paint on her easel, and play with all manner of transportation device, anything but go to bed. 
Meanwhile, poor tired looking Mr Toucan (Toucan? Yes, we were baffled at first, but then this strangely makes sense alongside toddler-gorilla-in-pyjamas), Mr Toucan manages to keep very calm and in a soothing (if slightly wearisome voice), he convinces Betty to go to bed. Until one final amusing calamity, as Betty's toys burst back out the cupboard and she once again looks (very) awake. Doh!

This book succeeds where many don't attempt to go, hitting at the stormy waters of the 2-4 year old age range. At 2 and a half years old Edie (now 3) turned ape every night demanding this book was read before she'd get in her bed...oh the irony! The comic timing, as Mr Toucan finally looses his rag with Betty, then returning his composure by summoning his inner super nanny, is genius. The very keep-calm-and-get-them-to-bed of Mr Toucan resonates brilliantly, and my wry smile increases every time I read Steve Antony's dedication at the end of the book 'To Mum, the best storyteller ever, and all other toucans.'

Main character Betty, is probably one of my favourite of all fictional characters. Her expression-filled face says it all, you almost don't need to 'read' this book, as little ones can certainly follow the gist of how Betty feels from the illustrations alone (excited, elated, engrossed, sleepy, wired). The voice of Betty, for us, is this monosyllabic butch ('Little Britain' style) man voice. Our children roll about in fits of hysterics when we read this book, especially if we have Mr Toucan's voice the same as our own 'get to bed' voice ( and roll our eyes and sigh at the same time). At 5 (Bert) and 7 (Alf) the older boys still like this book, but mainly reading it and imitating 'the voices' for the younger two. There's a good amount of repetition in the story, so again, really perfect for the 2 year olds, and there's plenty of bright colours and inanimate objects in the illustrations such as lorry, teddy, drum, that the little ones enjoy spotting/recognising/naming/pointing at. There's also lots of little quirks I enjoy about the book; Betty's romper suit has a banana print, there's letter blocks scattered about 
on each page which cover the whole alphabet from start to finish, there's no hint of a gender stereotype- Betty plays with her bananas lorry and pink open top car. 
We love this book- big thumbs up for Betty and her weary toucan parent /carer. 

Here's a link to The BookTrust's review and e-card request for this book as we love it so: BookTrust - Betty Goes Bananas  

Goodnight Moon

Author: Margaret Wise Brown

Illustrator: Clement Hurd
Publisher: Originally published in 1947, reprinted in 2012 Macmillian Children's Books

Goodnight Moon is heralded as a classic of North American children's literature. I became familiar with the book from a language blog I read many years ago, in which the poem had been translated into Polish. Having not initially read the poem in English, it made so much more 'sense' in the English translation and I grew to love it (and yet this poem makes very little 'sense' at all). Having scribbled the lyrics of Goodnight Moon down from the language blog, I actually read it aloud to Alf and Bert when they were little from a scrap of paper. It became a ritual at bedtime to read this poem, which is of course, what Goodnight Moon is all about (the anthropomorphic bunny's bedtime routine). 

Three years on and having purchased the board book version, this book remains consistently part of the bedtime routine in that one of my children (at least) will always, choose this to read out to their baby brother. The poem is rhythmic and surreal. Illustrator Clement Hurd has used bold psychedelic orange and green alongside black silhouette and shadow, making the illustrations quite haunting, ethereal. 

Goodnight Moon seems to be enjoying a new / renewed fame in the UK at the moment, as I've seen it on sale in art galleries and being pushed in more highend book shops lately. I assume this is because it is deemed a young children's 'classic' and is easily marketable as an American cult classic at that. I would like to see  The Quangle Wangle's Hat be reinvented like this, in the same way, as to me it's tantamount to Goodnight Moon in its ethereal nature and has the same iconic pictorials. 

Loved by my older children as an easy- read to the baby each night, Goodnight Moon is perfectedly pitched at the 1-2 year age range. It holds their attention in a rather hynoptic way, with its duo-toned block pictures, such as the lamp, and use of black and white, such as the house. I'm sure I've read before that babies under 4 months only see in this basic colour wheel, so again Goodnight Moon is ideal for the very youngest of bookworms and their parents.
In all, this is a really lovely, dreamy, familiar, ritualistic read, and it always puts a neat full stop on the night.