Author and Illustrator: Ian Beck
Publisher: First published 1993 through Doubleday, featured edition Picture Corgi, Random House 1995
For me this book has all the ingredients of a perfect children's picture book. Firstly (and in no order of priority), plenty of adventure, excitement and a good rescue mission storyline. Secondly, sumptuous illustrations with a lot of texture, depth of perspective and landscapes that feel very epic. Thirdly, whimsical characters- a boy who commands his own hot air balloon (and in the subsequent sequel, a raft), a girl on a desert island saving dinosaurs, and a grandfather, living in a lighthouse and ready to listen to his grandson's stories. As plot devices go, Ian Beck has created a plethora, all pitched beautifully at the curious minds of children; at every turn there's a new idea to fuel the fantasy, a volcano erupting, magic flowers to attract dinosaurs, a struggling baby dinosaur to help. What this achieves is a very gender neutral book, with plenty of fixes in the story to interest across gendered reading norms. My daughter (3) for example, loves the idea of a message in a bottle, the rescue itself, and dinosaur protector and architect of the plan, being a female lead. My son (5), loves the exploding volcanoes and the idea of character Tom, braving the elements alone to perform a daring rescue.
As I said in my review of Benedict Blathwayt's The Little Red Train series, it's rare to find in children's literature, a writer who writes as well as he illustrates, but in Ian Beck we have that very thing. Beck uses lots of hatching techniques, mainly through exposed cross hatching, dipping and ticking penwork to create very textured, layered pictures. He is generous with his picture-per-page ratio and there are plenty of big double spreads in this book that wow; my children particularly like the dramatic volcano erupting page in this title. Beck has a real talent for drawing sea, cloud and smoke especially, which offers a lot of depth and movement to the page, his work is really captivating.
To find fault with this title I would suggest that the type-font or type set of the book is dated, I think it's written in Times New Roman, which I find hard to read personally. And while I like the pace of the book, as the story always grips my children, there is a lot going on, and such a complicated plot in a very compact exposition, might be confusing to some. The plot is a little frenetic, very fantastical and takes a confident reader to interpret which sections of the narrative to emphasise. When 7 year old Alf read Tom and the Island of Dinosaurs to his siblings a few days ago, it sounded like there was an exclamation mark after every sentence end, as to him, every moment in the book was remarkable and worthy of expression. (And I would agree).
In all, a hugely enjoyable book, perfectly matched at the 3-6 year old market, and I'm sure it's inspired many a dream in our house; my middle two children have certainly role played at saving dinosaurs (with the carpet as the sea) following reading this book.
Author: Julia Donaldson
Illustrator: David Roberts
Publisher: Macmillan Children's Books, 2007
This is Julia Donaldson at her very best. An exciting 'underdog wins' story wherein a vegetarian duckbill dinosaur egg ends up in a Tyrannoasaurus nest. The hatchling does his best to fit in with the meat eating T Rex family, but instinct takes over and the T Rex family want to hunt while the duckbill runs away. 'Drip' as the duckbill is named, accidentally discovers his heritage and then saves the duckbill herd from being eaten by grisly and grim T Rex's when they strike lucky with a new way to get across the river.
The illustrations in the book are a little chaotic, and according to my five year old tonight, 'don't look enough like real T Rex to be a T Rex' ( the caricature of small arms, sharp teeth, claws don't really go alongside the pink plump bodies), the rhyming narrative is fantastic though, and just rolls into rote. Children probably get slightly more out of this book if they understand a 'reflection', in that dad T Rex falls into the river after seeing his, but the way this book reads aloud (sumptuously) means it's suitable for a broad age range (as is the case with most Donaldson books, the secret, in part, to her success I think).
I'm not sure the book promotes any helpful messages, 'nature over nurture' (not sure I agree with this one), 'running away to find oneself' (not a message I'd normally advocate in a children's book), the tearful looking T Rex family on the back sleeve always rouses sympathy and questions from my children too, 'what happens to the T Rex family mummy, do they find food?' So possibly not the most well thought-out children's book, but in terms of oral and aural readability - divine.
Written and Illustrated by Sally Garland
Publisher: Top That, 2015
This is a lovely simple story in which dog friends Tig and Tog are playing in the park, Tig is initially reluctant to share her stick, but together the friends make an exciting discovery and work together to uncover more of the surprise in the ground. Tig and Tog have to use various tools to dig up their find. 3 year old Edie excitedly recalled that a wheelbarrow would be used, while 5 year old Bert remembered (with two pages to go) what the big find would be- a dinosaur skeleton!
The story builds up nicely, slowly and quietly, starting with the friends using very basic tools to dig at the ground, sticks in the mud, moving on to spades and then even diggers. The overriding message inTig and Tog: The Discovery is about achieving more when working together and sharing ideas and 'things' (in this case tools to dig, but possessions in general are inferred). That's a useful message to bring to squabbling siblings, or to open up discussion on themes of friendship, sharing and cooperation. My children like the back page of the book which shows a dinosaur skeleton on display, reading 'Found by Tig and Tog with a stick' though it's easy to miss on the outro sheet.
This is a simple, quiet and charming book, with light watercolour style graphics, sweet but fairly unmemorable characters. The book appealed visually more to female Edie on first sight ( the gendered appropriation of light pastel shades had a hand here I think), but the narrative itself was well received by both 3-5year olds (boy and girl) sharing this story tonight.
