Author: Sheena Knowles
Illustrator: Rod Clement
Publisher: Angus Robertson, an imprint of HarperCollinsPublishers, 1996
I was passed this book on a bookstall at a school fayre; 'here'said the bookstall mum, 'you'll like this one, it's about a feminist emu, and it's pretty funny'. And she was right, it's really funny, Australian dry humour funny, and a 'feminist emu', why of course!
With loud, brash and garish illustrations, we meet Edwina and Edward, emus in love and expecting a brood of ten. On realising the news Edward shouts, 'YEEK!' and so starts the catchphrase of the book: 'he seemed to be choking, 'Ten litttle emus? you've got to be joking.' being the more collected of the pair, Edwina offers to leave the nest and go and seek work, in order to afford the brood. Edwina tries several jobs, as a ballerina, a chimney sweep and as a waitress. As each ends in an emu related drama, Edwina realises her calling is to sit on the nest (part time only, in a job share with Edward!) I love this portrayal of a strong, independent thinking, progressive female, and the turn the story takes without compromising the central protagonist's empowerment.
The bawdy carictures of other job seekers fit well with the laugh-out-loud storyline, an emu being equal to man in a queue at the bus stop, for example. The text is fun also, with simple rhyming couplets ( Some times the rhyme itself is a little over worked and tenuous, but again, this adds to the amusement!) The book looks and feels very Australian, with this loud swaggering humour and moments of irony, such as Edwina gettting a job as a chimney sweep and using her body to sweep the the whole chimney.
My daughter dislikes Rod Clements' use of starring, googly and bloodshot eyes, which do, I think, put young people off the book. The faces of shock in the book, just aren't the more refined British interpretation of 'shocked face', they're too confrontational. The messages in the book are, however, hugely welcome, insighting a positive sense of womanhood, and promoting shared roles and duties as parents. I like that when Edwina returns to the nest, partner Edward is exhausted; a commment on the stresses of running a home for either gender.
All in all, an uplifting read, embracing working women and equality in relationships.
Author and Illustrator: Rod Campbell
Publisher: Campbell Books, first published 1982 by Abelard-Schuman Ltd
Tonight it's the turn of famous toddler board book 'Dear Zoo'. Simple, repetitive and formulaic, so perfect for babies and toddlers. A letter to the zoo returns eight surprise animals hidden in crates, boxes and baskets. The receiver is fussy and sends the animals back one-by-one based on their common characteristic, so, the camel was grumpy, the frog was jumpy and the dog? The puppy is perfect so the receiver keeps him.
This is about as straightforward as a flap-book for toddlers gets, with pretty much the same sentence on every page ( about writing to the zoo) and then an opportunity to sneak a peak under the flap to understand the big reveal. Adjectives used are appropriate and characterise the animal hidden well. Our children provide their own sound effects for certain adjectives so 'grumpy' is accompanied by a huff, or for certain animals, so 'lion' is followed by a roar. For toddlers this is great as it invites joining in. I'm not sure that all families would agree that a puppy is 'perfect' though, especially one eating furniture or weeing where it shouldn't.
Here's a slightly stern reading from the Book Trust:
A reading of Dear Zoo
Concept and Design: Andy Mansfield
Illustrations: Thomas Flintham
Publisher: Templar Publishing, 2016
The full title of this book is: One Lonely Fish: A counting book with bite. It's one of my current favourite books for toddlers, and works especially well for those approaching or a few months following the age of 1, with a very straightforward concept (count-the-fish) and pages that can be easily turned by small hands.
Counting gradually up from 1-10, on each page the landscape length on the book gains a new colourful fish, with its jaws wide open, enough to swallow up the fish ahead. This forms a neat queue (or chasing line) of fish until one giant fish eats the lot (broad smile on his face). Snap! The end.
Following on from reading (though it feels more like playing with this book, rather than reading it), we've used the book to discuss why fish number ten might be lonely, and with older children, you might even get a chat about the food chain out of this this title.
In terms of age range though, this is an exceptionally toddler-friendly book, as the pages are easy to turn with inverted triangle card cut-aways on each page for added 'turn-ability', and the pages are made of tough thick cardboard. It's a big robust book (a bit too big for standard bookshelves actually, so do think about finding accommodation for it elsewhere in a nursery bedroom). The fish illustrations are bright, predominately in primary colours, and the big jaws perspective on the final fish is playful. My three year old loves 'reading' this to her younger brother, and spotting the red crab on each page too. There's extra fun to be had if children dare put their own hand in the fish's mouth, and it bites shut. Lots of squeals of delight in my house from this book in that biting-hand off respect.
One Lonely Fish feels a little like a hybrid between to Rob Campbell's 1996 Fishy Things and Rod Campbell's 2005 Touch and Feel I won't Bite. If you like both these titles you'll love One Lonely Fish too.
And if you enjoy counting books with toddlers I also recommend this video of the band Feist singing 'counting to 4' on Sesame Street, uploaded to YouTube in 2008. My children love this rendition, but be warned, it's very catchy: Feist: Counting to Four video
